Mention honorable dans la catégorie « Argentique »

On the eve of the bicentennial of photography, Dias Tras Días asserts itself as a contemporary act of resistance and creation, reaffirming the relevance of analog photography in a world saturated with ephemeral digital images. Through its slow rhythm and material presence, analog practice fosters an intimate relationship with memory, time, and sensitivity.

The series is the result of an eleven-month journey along the Americas, from Peru to Alaska. Conceived as a travel diary, Dias Tras Días develops a subjective photographic language informed by the legacy of documentary photography. The body of work brings together black-and-white and color analog images, gathered day after day, away from spectacular events.

Moving against the flow of digital imagery, the visual narrative is built from non-events: ordinary scenes observed along roadsides, in forests, cemeteries, or through an airplane window. Human figures often appear anonymous, almost ghostlike, blending into empty or deserted landscapes.

Without a linear narrative, each image functions as a fragment, a suspended moment, inviting viewers to create their own connections. Dias Tras Días thus opens a space of projection where looking becomes an act of imagination, and where the banality of reality reveals a quiet poetry imbued with enigma and contemplation.